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Three Newhouse School students set out to tell stories often overlooked: a business owner surviving a wildfire’s economic fallout, a traveling veterinarian’s life serving rural communities and a man lifting others out of homelessness. What they filmed earned top honors from the White House News Photographers Association—and lessons about the privilege of sharing someone’s story.

The annually recognizes the best in visual journalism with its “The Eyes of History” contest, and its calls out emerging journalists for their storytelling with video and photography.

The three honorees—Jess Van ’26, a photography major in the visual communications department; Kaitlin Campbell ’26, a broadcast and digital journalism major; and Alex Fairchild ’29, an active duty Marine Corps sergeant in the program—each approached their stories with the aim of looking past the obvious narrative and shared conviction that the people in front of their cameras deserved to have their stories told.

Jess Van: ��

Van was awarded first place in the category of in-depth features and documentary for her film “After the Ashes” on the economic impacts of the Los Angeles wildfires to small business owners in Pacific Palisades. The 13-minute documentary, which served as Van’s capstone project, follows Ruby, a nail salon owner whose building miraculously survived the flames but was still severely disrupted by the disaster.

Van, who is from Cambodia, has a personal connection to the Palisades. When she first came to the U.S. for school, she connected with two mentors who lived in the area.

She visited in March 2025 during spring break, months after the destructive fires swept through the community. Both mentors lost their homes in the fire.

“I always felt like it’s my second home,” Van says. “It was heartbreaking to see the town and the people that lost their homes. It’s not just property, it’s about memories and the connection that you have.”

Van, who minored in geography, decided to make a film focused on the impact to those who worked, but didn’t live, in the affluent neighborhood.

“The backbone of the place, like the gardener, the nail salon owner, the restaurant worker, who also were impacted by this fire,” Van says.

Through one of her mentors, she connected with Ruby, a nail salon owner, whose business survived the fires, even though everything around it burned to the ground. Still, the impact to Ruby’s livelihood was severe as the community’s local economy ground to a halt following the fires.

“It’s a privilege for me to be let in to someone else’s life,” Van says. “It’s their story, and the fact that they feel like comfortable enough to share their vulnerability with me is a privilege.”

In all, she spent 14 months working on the documentary, which she plans to continue submitting to film festivals.

“Hearing what people say after they watch the film, ‘I never thought about this’ and ‘This angle is very rewarding,’ we all know the disaster affects everyone, regardless of their economic background,” Van says. “But to have the opportunity to capture [it] in a way that people don’t really think about is the most important part. That’s the goal of the film, and to have that accomplished, and hearing that feedback, just feel really good.”

Kaitlin Campbell:

Campbell was awarded first place for her story “” in the category of broadcast news storytelling. Campbell wanted to do a feature story to push herself outside of the daily headlines she typically worked on. Driving around upstate New York, she was struck by the farms she passed and began brainstorming stories.

She began to notice, as she looked up farms in the area, that even separated by hundreds of miles, they listed the same veterinarian: Melanie Parker.

Campbell filmed Parker over the course of a few days and then put together the three-and-a-half minute feature. The story ultimately aired on , Newhouse’s broadcast and digital news outlet.

The best part of working on the story was getting to know Parker, Campbell says. Parker is someone, she says, who “hypes up other people, but doesn’t hype up herself.”

Having her story recognized by the White House News Photographers Association affirms for Campbell that she’s “doing the right thing” with her career.

“It just makes me feel like, ‘OK, I’m where I’m supposed to be,’” she says. “I’m supposed to be producing stories like these. I’m supposed to be getting out in the community and pushing myself.”

Alex Fairchild:

Fairchild was awarded second place in the category of broadcast news storytelling for his story “Hire Ground: A Hand Up, Not a Hand Out.”

Fairchild, an active duty sergeant in the Marine Corps, worked on the feature with classmates Dillon Buck and Devin Andrews as part of a broadcast journalism class with , associate professor and chair of broadcast and digital journalism at Newhouse. At the time, Fairchild was participating in the Advanced Military Visual Journalism program, but he is now pursuing an online .

The original goal, he says, was to do a story related to , a local nonprofit that hosts programs that help unhoused individuals in the Syracuse area.

“All of us had the mindset that the story is always more important than getting an assignment done,” he says.

The nonprofit connected Fairchild and his classmates to Kevin, a man who used to be unhoused but who now helps others through Hire Ground, a jobs program run by In My Father’s Kitchen. The story ended up airing on Spectrum News.

“The most rewarding part was actually being out there and participating in the work that In My Father’s Kitchen was doing,” Fairchild says. “Yes, we reached out to do a story on Kevin, but it ended up being an eye-opening experience for all of us and we met people that we’ll never forget.”