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Students Serve as Courtroom Sketch Artists for US Air Force Trial at Law School聽

Five VPA illustration majors share what it was like to sketch live legal proceedings for the first time at Dineen Hall.
Dialynn Dwyer April 28, 2026

Students filled the jury box inside the Melanie Gray Ceremonial Courtroom in the 鈥榮 Dineen Hall earlier this semester, sketchbooks out, to capture live arguments during a session of the U.S. Air Force Court of Criminal Appeals hosted on the Syracuse campus.

For the students, six of them seniors majoring in illustration in the , it was their first experience serving as courtroom sketch artists for a legal proceeding.

, assistant teaching professor in VPA, says the collaboration with the College of Law on Feb. 27 was just the latest opportunity he鈥檚 sought out for illustration students to introduce them to different types of live drawing activities. Once the collaboration with the College of Law was arranged, he encouraged juniors and seniors he teaches to participate.

鈥淲hen you’re an illustration major, there’s a lot of fields that you can enter into,鈥 he says. 鈥淪o, for me, courtroom sketching is something they can do if they want to or just live sketching. But I think for them, it gets them practicing their craft.鈥

The networking opportunity is also a big piece of the experience, he says.

鈥淚t gets them talking, and it gets them to really engage with other people outside of the art world, gets them to have an audience see their work,鈥 Ladd says.

The collaboration was such a success that VPA students were invited back again to act as courtroom artists for another law school event. Five of the students who participated in February鈥檚 event told 网爆门 Today they were drawn to participating to practice their skills and explore the role as a profession.

Below, they share more about the experience:

What was it like?

People seated in a courtroom gallery, sketching in notebooks during a hearing.

Juli Muldoon 鈥26: I enjoy drawing from life and capturing people’s expressions. I figured a courtroom would be an interesting place to do so, and I was right!

Emma Lee 鈥26: It was interesting seeing how formal the event was and the interactions between the judges and participants. It was somewhat stressful at first not knowing how long each person would be at the podium or how long I would have to capture them. As the proceeding went on I got more of an understanding of how long each person would be at the podium and got more comfortable with my materials. I was able to focus more on drawing portraits of people, which I enjoyed the most.

Notebook page with several black-ink portrait sketches of people observed during a court proceeding
An illustration by Brynne Baird

Rene Vetter 鈥26: It was very nerve-wracking, especially since the proceeding was related to the military. Everyone was dressed up and in uniform, so I felt out of place with my drawing board and pens. When the court clerk called us all to rise as the judges walked in, the reality of the situation hit me. It was stressful to have so many eyes watching you and curious about how you are drawing them.

Brynne Baird 鈥26: Everyone was welcoming and enthusiastic about having all of us there. They let us sit in the jury box, so we were able to see faces and expressions clearer. It is just like in the movies!

Julia English 鈥26: The courtroom was very professional. At first, I was nervous and intimidated, but eventually I felt like I was a part of the trial. I almost felt like I was watching a movie.

What was the best part of participating?

Person in a robe and others standing at a courtroom railing, looking at a hand-drawn courtroom sketch held up by an artist

Muldoon: Getting to show everyone my drawings at the end of the proceeding. Getting positive reactions to my work keeps me motivated to create.

Pencil sketch of a person standing at a podium, viewed from the side, delivering remarks.
An illustration by Julia English

Lee: Almost everyone who participated came up to us to see what we drew. They were all super excited and interested in what we had made. They said the whole time they had been curious what they were going to look like. Many of them had never been drawn before, so it was fun to see their reactions to our sketches.

Vetter: Getting to show the participants my drawings. I usually do more humorous drawings, so I would show them my portrait and they would laugh really hard. I was nervous to show the judges my drawings of them, as I didn’t want them to take offense, but they ended up loving them.

Baird: Being able to practice real observational drawing in a realistic context.

English: Everyone reacting to our drawings. Everyone was so kind and took pictures of our art.

What was the most challenging part?

Detailed line drawing of three judges seated at a courtroom bench, labeled with titles on the front.
A drawing by Rene Vetter

Muldoon: Probably working under pressure. Drawing moving subjects is already a challenge, and working while people watch you can be stressful.

Lee: Wanting to draw as much as possible and capture as much as possible, while also not getting tired of constantly drawing. As the proceeding went on, I got more comfortable.

Vetter: The time was limited, and I wanted to make sure to capture as many participants as possible. There were also a few times where a participant would only have a limited time in front of the judges on the main floor. I never knew if I would have five minutes or 15 to draw a subject, and once they left the floor, it was more difficult to get a good look at them.

Baird: Usually we are in a classroom with a model that gives us dynamic poses for several minutes at a time. But in a courtroom, people move around, which makes it challenging to draw specific poses.

English: At first, I struggled to draw while watching the trial. Once I got used to it, my nerves went away.

Did this change or impact the way you think about your own illustrations or career path?聽

Hand holding a stack of colorful courtroom portrait sketches drawn in pastel.
A drawing by Emma Lee

Muldoon: I hadn’t considered court sketching as a career, but this opportunity has definitely made me interested. I would love to do more court work in the future.

Lee: It definitely made me more interested in pursuing courtroom sketching as a career. It was also encouraging hearing how excited everyone was about the sketches and seeing their reactions.

Vetter: Definitely yes. I had so much fun that I am hoping to be able to do it again. It was also rewarding to share my artwork with people outside of creative spheres. It is easy to get caught up in creative competitiveness when I am only surrounded with other creatives, but I forget people outside of that are even more impressed by my work. It was a good reminder of my own appreciation for illustration and art in a busy time in my academic career.

Baird: I have other ideas of where I would like my career path to go, but if an opportunity like this comes along again where I could do this full time I would love to do it!

English: I would consider working as a courtroom sketch artist professionally if provided the chance!

Black-ink drawing of a person speaking into a microphone at a podium, with audience members sketched behind.
An illustration by Juli Muldoon